We are fortunate here at CSM to have studio rooms that are large. This has allowed us to let our instructors bring their pets to lessons and so several of our staff members bring their dogs into work with them daily. This policy generates a terrific interest and conversation with the students and also creates a trust between the teachers, students and their families. Many...
Read MoreA student signs up for lessons. He and his family are super enthused.
“He’s so naturally musical,” his proud parents tell you at his first lesson.
“He practices all the time. We don’t even have to ask him!” his parents marvel two months in.
And then…maybe in 6 months, maybe in a few years, there’s the all too familiar…
“Getting him to practice is such a fight.”
“He’s so busy with sports and school work, it’s hard to find time to practice.”
“I’m tired of battling him to practice. We’re going to take a few years off from piano and see where things go.”
How do we, as teachers and studio owners, stop this from happening? While certainly there will be counsel and encouragement needed throughout the students years of instruction, I believe that setting the stage before a student even begins lessons can be the most effective in combating the above scenario from playing out.
My college vocal instructor often commented: “The voice is a slow moving instrument.” What he meant was that in terms of development, students are often unaware of the changes that are taking place. I often have students ask me if they’re doing well in voice lessons because they don’t hear the difference between the singing they did at the onset of their lessons and the...
Read MoreBy Patrick Fritz I have a repetition tool that I consistently use with my students. It is simple, small, sturdy, and novel enough that elementary and middle school students are always curious about how it works. But it is not so complex that it derails a lesson. I call it a “bead counter” but the product name is “Golf Abacus.” I keep various sizes and colors...
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One of the things I love about being in a local music teachers association is the access to different events for students at my studio. Whether it’s a master class or a workshop, students are provided with lots of opportunities, thanks to the ideas, work and expertise of colleagues in my profession.
Several times a year, our group rents the recital hall at our university and hosts collaborative recitals. Students have opportunity to play on an absolutely incredible Steinway piano in a fabulous venue, a unique treat for them and their families.
Are you a member of a local teaching association, or do you have colleagues with whom you might consider hosting such a recital? Here’s why I think collaborative recitals are so great: